- auctionspotter

Lot 154 Print for H. von Kleist, *Les Marionnettes*, Paris, G. Visat, 1969. Engrave... , 1969

7 天 | Ader, Paris

Hans Bellmer

Beautiful print on old rose-tinted Fabriano vellum, with small highlights in green pencil

今天 | Pandolfini, Milan

ERNST FUCHS

Lot 149 Hexenbocht

etching

Lot 168 Long Dress. 1970. Lithograph. [ , 1970

7 天 | Ader, Paris

Roland Topor

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

Lot 171 Plate 1 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

7 天 | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 172 Plate 8 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

7 天 | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 177 Next! 1979. Linocut

7 天 | Ader, Paris

Roland Topor

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

Lot 178 Forcée (Image of Success). Circa 1990. Lithograph. [ , 1990

7 天 | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 147 The Silence of the Dog. July 15, 1976. Etching on rounded copper plate , 1976

7 天 | Ader, Paris

Pierre Courtin

Lot 117 Head of a Hostage. 1943. Etching and aquatint. [ , 1943

7 天 | Ader, Paris

Jean Fautrier

A very fine print on creamy white, cottony vellum

Lot 120 The Bottle. 1948. Etching, embossing, aquatint with varnish highlights. [ , 1948

7 天 | Ader, Paris

Jean Fautrier

Beautiful print on creamy, cottony vellum

Lot 107 Nude Woman. 1979. Lithograph , 1979

7 天 | Ader, Paris

Walasse Ting

Perfect print on white vellum, marked “artist proof,”

Lot 208 Elsewhere Brown. 1971. Lithograph. [ , 1971

7 天 | Ader, Paris

Bram Van Velde

Very fine print on cream-colored vellum, numbered and

Lot 32 Lawyers’ Trade Union Confederation, 1991 – Paul Éluard, I Write Your N...

6 天 | Aguttes, Neuilly-Sur-Seine

OLIVIER DEBRÉ

Set of two prints

Lot 189 Illustrated greeting cards. 1971–1979. Aquatint on zinc plates and emery-...

7 天 | Ader, Paris

Bertrand Dorny

Very fine prints on vellum, 4

Lot 251 Composition. 1989. Aquatint on two zinc plates , 1989

7 天 | Ader, Paris

Bertrand Dorny

A very beautiful and fresh print on white vellum, numbered and

Lot 159 La Forme. 1974. Engraving , 1974

7 天 | Ader, Paris

Fred Deux

A very fine print on vellum, numbered and

Lot 308 Jean Dubuffet’s *Fiston la Filoche* among the monumental paintings at the...

7 天 | Ader, Paris

Jean Dubuffet

Lot 314 Poster for an exhibition of the artist’s work at the Protée Gallery, Feb... , 1972

7 天 | Ader, Paris

Pierre Soulages (after)

Lot 190 Le Petit Cerf-volant. 1975. Aquatint on three zinc plates and one emery-fin... , 1975

7 天 | Ader, Paris

Bertrand Dorny

A very fine proof on vellum, one of 5 marked “EA” and numbered in Roman numerals, inscribed and

Lot 249 Small Cliff No. 1. 1975. Aquatint and burin on two zinc plates and one emer... , 1975

7 天 | Ader, Paris

Bertrand Dorny

A very fine print on cream-colored vellum, labeled “EA III/V,” inscribed and

Lot 111 Harlequin with a Guitar , 1954

6 天 | Aguttes, Neuilly-Sur-Seine

JEAN COCTEAU

Colour lithograph on vellum paper

€ 150 - 200

7 天 | Ader, Paris

Hans Bellmer

Lot 152 Plate 5 from the series *Mode d’emploi*, Paris, G. Visat, 1967. Etching. ... , 1967

The plate was originally intended as an illustration for André Pieyre de Mandiargues’ *L’Anglais décrit dans le château fermé* (a work that was never published) and was later included in the *Mode d’emploi* series

Lot 69 Sun-Moon. 1964. Lithograph. Dimensions , 1964

7 天 | Ader, Paris

Jean Lurçat

A very fine print on white vellum, numbered and

Lot 174 Head-to-Toe. Circa 1975. Lithograph. [ , 1975

7 天 | Ader, Paris

Roland Topor

A fine print on vellum, inscribed “E.A.” and

Lot 176 Disheveled Thoughts. Circa 1975. Lithograph. [ , 1975

7 天 | Ader, Paris

Roland Topor

A fine print on olive-green-tinted vellum, inscribed “E.A.” and

Lot 143 Girl in the Street. Circa 1944. Drypoint , 1944

7 天 | Ader, Paris

Pierre Courtin

A very fine print on vellum, numbered and

Lot 144 Couple on a Chair. Circa 1945. Engraving , 1945

7 天 | Ader, Paris

Pierre Courtin

Perfect proof on vellum, annotated “test print” and

Lot 309 Poster for an exhibition of the artist’s work at the Protée Gallery, Feb... , 1973

7 天 | Ader, Paris

Hans Hartung (after)

Lot 21 Small nude N for *L'Alleluiah*, 1941 [Mason 171II]

6 天 | Aguttes, Neuilly-Sur-Seine

JEAN FAUTRIER

Etching on Auvergne

€ 150 - 200

7 天 | Ader, Paris

Émile Gilioli

Lot 253 Celebration of the Ball. 1968. Lithograph. [ , 1968

A very fine proof on vellum, numbered and

Lot 205 Composition. 1939. Lithograph. [ , 1939

7 天 | Ader, Paris

Bram Van Velde

Fine print on cream-colored vellum, numbered and

Lot 210 Composition. 1975. Lithograph. Image size , 1975

7 天 | Ader, Paris

Bram van Velde

Print offered to buyers of Bram van Velde by J

Lot 310 Who’s Holding the Revolver?; The Time of Cherries; Tick-Tock, Tick-Tock, ... , 1968

7 天 | Ader, Paris

Jean Ipoustéguy

Lot 169 Long Dress. 1970. Lithograph. [ , 1970

7 天 | Ader, Paris

Roland Topor

A very fine proof on vellum, before the size marks were erased, annotated in pencil with “epreuve” and

Lot 173 "Series of Buttocks." Circa 1975. Lithograph. [

7 天 | Ader, Paris

Roland Topor

A very fine print on ivory vellum, inscribed in blue pencil “for Guy Georges” and

Lot 200 Landscape II; Untitled II. Circa 1971. Lithograph. [ , 1971

7 天 | Ader, Paris

Yasse Tabuchi

Very fine prints on vellum, marked “E.A.,”